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The idea of " living magazines" is one example of how media is changing, of how forward-thinking media makers will be able to find new opportunities as old ones evaporate. It makes good business and environmental sense.
P2 card reader skate perception upgrade#
I upgrade my computers rather than buying new and generally wait to buy something until I absolutely need it.
P2 card reader skate perception professional#
I guess this post really isn't about warranties, rather it's about thinking of how much waste you generate in your professional life and trying to minimize it. The whole idea of buying junk that you throw away after a short time drives me crazy. In the end, it cost me about $5.00 to ship it to them, which was offset by the cost the new batteries. Again, they replaced what needed to be fixed/upgraded rather than throwing the whole thing away and sending a whole new package. I shipped it back to them, at my expense, they replaced pretty much most of the flashlight except for the shell and shipped it back to me with new lithium batteries. Happily, I had purchased it from an authorized reseller (meaning it was covered by the lifetime warranty and also meaning it was more expensive). My Streamlight Scorpion flashlight also went haywire after a recent job. And Jack White is surprisingly upfront about being a white kid who just wants to play the blues. Watching Jimmy Page's fingers play the guitar is the definition of fluency. The Edge comes off as surprisingly insecure. And you do realize by the end that they are each a serious artist. It's an interesting film and is definitely worth watching, if nothing else, for the insights about each of them individually as artists. The film weaves together that footage with archival and contemporary footage of the three. The premise is that Jimmy Page, Jack White and The Edge are brought together in a room and talk about guitars, music and play together. First, it is directed by Davis Guggenheim ( An Inconvenient Truth). It Might Get Loud struck me personally as sort of an odd duck.
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The film documents their ongoing struggle to make it back to the top of the music world.
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Anvil is a Canadian heavy metal band that inspired the likes of Metallica, Lemmy Loud (Motorhead), Slash (Guns n' Roses) but somehow never seemed to find a payday. Anvil is kind of a real-life Spinal Tap story, except by the end of the film you love them, instead of just laughing at them. Two others that I can recommend are: Anvil! The Story of AnvilĀ (now out on dvd) and It Might Get Loud. It's been a very good year for music documentaries. It's definitely worth seeing on a big screen because a lot of it is shot in Africa and it's great to be able to absorb it all at the theatrical scale. His personal charisma is quite engaging, as is his amazing music. But the upside is, even if this is the first time you've ever heard of Youssou, you will enjoy this film. Structurally, the film is not perfect, the filmmaker clearly had to include enough back-story to engage the uninitiated. I have been a fan of Youssou N'Dour's for 25 years or so, but after watching this film I realized how little I really knew about him and his music. It's no understatement to say that during that journey, he risks all that really matters to him to spread the message. This film explores someone who knows exactly who they are are (in a profound sense), what they believe and their journey to give voice to that experience. I recommend also staying for that she is an extremely bright and engaging person. There will be a discussion afterwards with the Director, Elizabeth Chai Vasarhelyi.
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If you're in L.A., I highly recommend getting to the FREE screening of Youssou N'Dour: I Bring What I Loveon November 17.